art

A quick (literally) tour of the Metropolitan Museum of Art. I felt it was only fitting to also speed read this. I liked the author's, Craig Mod, style of writing. In particular his description of the queue to enter and Jesus' halo on the Alba Madonna painting.

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A font designed after San Francisco's light rail departure signage. The essay also gives a look at the signs themselves and why they were designed that way.

The signs were designed for sufficiency: fixed segments, fixed grid, and no extras. Characters were created only as destinations required them, while other characters, like the Q, X, and much of the punctuation, were never programmed into the signs.

Discovered via Tom Scott's Weekly Newsletter.

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